|Bromley by Bow Centre, East London|
It was going to be an average sort of weekend. When office colleagues enquired what my plans were, I replied (jokingly, so I hope no one took me too seriously) that I intended to watch daytime TV and drink gin. In truth, my plans for the long weekend were far more exciting: I was going to get my nails done (I'm a new and very enthusiastic fan of gel nails, so please don't judge me too harshly).
Instead, I found myself unexpectedly with a stall at a craft fair, chatting to interesting and very talented craftspeople outside the somewhat enclosed textiles world, watching Somali dancers, eating home-made Indian food, and marveling at dedicated artists who not only create beautiful (and justifiably expensive) work commercially, but share their talents by teaching and encouraging children and disadvantaged adults. I feel exhilarated, enriched and humbled.
How did this happen? Because while I was having my nails gelled a lovely deep grape on the Friday morning, someone was in the salon having her hair done in preparation for a private view that evening for open studios at the Bromley by Bow Centre, a community organisation in a deprived borough in East London. When she handed out flyers and asked if I was "interested in art", one thing led to another and before I knew it I'd been signed up to take on a spare stall at the accompanying craft fair for the Saturday and Sunday.
|Paving project by Murude Mehmet with local children|
That "someone" was Murude Mehmet, whose ceramic and mosaic work I recognised from various local projects and whose enthusiasm and outgoing energy is of the sort I yearn for. The community garden is enlivened by a beautiful circular tiled space she created with schoolchildren. At the other end of the scale, via Brian the mosaic snail for a primary school commission, is a dazzling golden-glazed bowl that would give the purchaser just £1 change from £1,000. ("I use the same type of gold as Grayson Perry.")
|Sculptures by Paula Haughney in the community centre courtyard|
|Paula's elegant Bath stone goose, which has quickly settled into its new home in my garden|
Also among those opening their studios was the sculptor Paula Haughney, whose stone carvings of child-friendly but slightly unsettling frogs, rabbits, cats and dragons decorate the green courtyard oasis of the community centre and serve as outdoor seating. Among her other commissions, she has created seats and benches for St Katherine's Docks, near Tower Bridge, which I passed frequently and indeed sat on when I was working nearby. I was delighted when she took an interest in one of my brightest quilts - she has a red and yellow bedroom, apparently, so I took to her immediately - and we arranged a "swap". I am now the immensely proud owner of one of her stone bird carvings.
|Dreamer: Sheenah McKinlay, stained glass composite|
And then there was Sheenagh McKinlay, an artist in stained glass who not only makes a kind of collage, "composites" of salvaged antique shards and contemporary coloured glass, which has something in common with quilting using "found" fabrics and images, but like me has a love of, and fascination for, religious iconography without herself being an adherent of a particular faith. Oh how I longed to take one of her pieces home.
I was privileged to join such an exciting and worthwhile venture, if only briefly.
|A temporary interloper|